Antique Izannah Walker dolls and Linen Head
Mystery Dolls in My Collection
Questions regarding dolls in this article can be sent to northdixie@gmail.com and I will forward to the author of the article.
America came late into commercial doll making. The great European porcelain factories
already dominated the world market and Papier mache’ doll making had a long
head start in Europe also. The first
commercial attempts at doll making in the United States included fabric, gutta
percha, rawhide and rubber. Closely
following were the papier mache doll heads of Philadelphia including the work
of German immigrant Ludwig Greiner and
his large family. Greiner may have been
making his great American dolls as early as the 1840’s as Izannah Walker is thought to have done. Fine jointed wooden dolls were factory made in
Vermont contrasting with the early hand carved European woodens.
With a life long interest in both Textiles and Antique Dolls,
It is natural that my favorite dolls are the dolls that are textiles
themselves. Many simple flat faced dolls made one at a time are completely charming,
but the dolls that have interested me most right from the start have been those
with faces molded of stiffened fabric. I
have collected, bought, sold, repaired, and above all studied and appreciated
antique dolls for more than half a century. Only now do I have a small group of
the early ones with molded cloth heads. They
are sought after by an avid though small group of collectors and not readily
found or afforded by me.
The earliest American ones I know of are the so called linen head
dolls, by a still unknown maker, and the dolls of Izannah Walker. My little group now numbers three linen head
dolls, and two Walker dolls. Many many
other doll makers overlapped and or followed these: Weigand, Hawkins, Chase and more. My own collecting interest cuts off at
1900.
The doll making process of Izannah Walker has been well
researched and documented. She left us a detailed patent. The Walker dolls were pressed in a die. She used more than one layer and stiffened
the masks with paste.
The linen heads I believe were made over imported German
China doll heads. China heads were the obvious models for
Hawkins, Darrow, Weigand and a few of the I R Comb rubber dolls. So using the abundant china heads as a basis
for molding was common practice.
I think the Linen was wet with a stiffening agent and shaped
over china doll heads of the 1850 to 1860 time frame. A front and back of the head were made in
this way and then joined at the sides. A
wire was used at the base of the shoulder heads to help hold their shape. The
resulting heads were painted with oil paints. I have seen only two kinds of
bodies so far. This tells me that whole dolls were sold not heads to be
attached to homemade bodies. The three examples that I have are a scant 20 inches, 22 inches and 24 inches tall. So in height they are similar to their sturdier cousins the Walker dolls.
The years of production would have been short, as by 1860 these were supplanted by more durable dolls like the Greiner paper mache's. The linen heads would always have had a hard time competing with the large numbers of imported dolls. So given their fragility, not many have survived to be enjoyed by collectors today.
Several different China head styles were used, including the
Long curl doll called Lydia and several so called covered wagon hair
styles. I have seen one of them dressed
as a man doll. He was sold on Ebay in 2012 in spite of a completely crushed
head someone had tried to sew back together. They are of course very fragile and easily
dented or damaged. The linen head dolls seem to have originated in New England as that is where most are found.
A few of the dolls had the black glass eyes of the period.
The ones with the painted eyes are worth a bit of study. These eyes are very black, and the tiny
lashes slant inward toward the nose not outward as on humans and most other
dolls. I have seen these inward slanting
eyelashes on a gutta percha doll from the Maureen Popp collection and I feel
these dolls were painted by the same hand. That rare gutta percha doll can be seen in the
auction catalog of Maureen Popp’s dolls.
I have held it in my hand and examined it. Some early Rubber dolls also have weird
looking black eyes a bit similar.
I keep a scrapbook of
these dolls and catalog pictures of all that I come across, and so far have
seen about 26 of them. In contrast
there are at least 250 publicly known Izannah Walker dolls. More of each type
are sure to be sleeping quietly out of sight waiting to be found again, or kept
quietly in private collections.
Once I catalogued some 135 of the Walker dolls on my computer with a bit of information about each as I found it, and then suffered a computer disaster and lost the entire work of literally months! I have tried half heartedly a few times, but never approached a good recovery of the lost data. You may believe my scrapbook of the linen head dolls is on paper! I would love to hear about more of these Mystery dolls with or without pictures if any of the readers here know of such in museums or have them in their own collections. I also welcome any speculations you might have as to the maker, when and who and where. There is scant similarity to me between these early dolls and the Hawkins dolls and I would doubt they are one and the same. The fascinating story of dolls that Mrs. Johl wrote about still leads me on. Edyth O’Neill
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